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A Short History of Minimalism Donald. The pestering term “minimalism” that ultimately stuck came from Richard Wollheim, a British art theorist who published an essay called “Minimal Art.
Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art.
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Richard Arthur Wollheim, a philosophy professor whose writing on visual art and psychoanalysis made him one of the field’s most innovative thinkers, has died. He was 80.
In a 1965 essay, 'Minimal Art', he seems to have coined the phrase, although its meaning eventually drifted from his. As well as for his work on the philosophy of art, Wollheim was known for his philosophical treatments of depth psychology, especially Sigmund Freud's.
Minimal Art It starts with the word itself. “Minimalism” was kicked off by the British art theorist Richard Wollheim in a 1965 essay called “Minimal Art.”.
In 1965, Richard Wollheim coined the name Minimal Art, in his essay “Minimal Art”, when referring to the form of art based on the use of basic and essential elements of fine arts. Having arisen from Land Art (see note), minimal art expressed contempt for figurative art and used the fewer number of elements and colors possible, which created an effect of impersonality due to the use of.
Minimal Art, so named by a philosopher (Richard Wollheim) in his 1965 essay by the same title, had strong resonances with an industrial aesthetic of corporate logotypes and factory production. Donald Judd, Untitled, 1969.
Richard Arthur Wollheim was a British philosopher noted for original work on mind and emotions as related to the visual arts painting. Wollheim served as the president of the British Society of Aesthetics from 1992 onwards until his death in 2003. Son of an actress and a theatre impresario, Wollheim attended Westminster School and Balliol College, interrupted by active military service in.
The term “Minimalism” ultimately arose from a 1965 essay by the British philosopher Richard Wollheim titled “Minimal Art,” in which he considered the value of different types of work with.
This art was shocking, as Wollheim observed, because it didn’t fit our usual idea of what art was: It had “minimal art content.” Earlier forms of art were all about self-expression and communication of emotions or narratives. With its mundane materials, minimalism was a return to the basics of sensory perception.
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